Press
The New York Times - James R. Oestreich
...The real star of the production was the tenor Krystian Adam…
“Orfeo” C. Monteverdi, Carnegie Hall 05/2015, English Baroque Soloists, conductor Sir John Eliot Gardiner
The Telegraph - Rupert Christiansen
Krystian Adam sang the title role with delicacy and refinement, articulating the text with exquisite sensitivity and weaving seraphically beautiful undulations of grief in his plea to Charon, “Possente spirto”."
„Orfeo“, Monteverdi, The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner, BBC Proms, Royal Albert Hall, London, 2015
philly.com - David Patrick Stearns
When Krystian Adam sang Orfeo's searing laments, time seemed to stop „Orfeo“, Monteverdi
The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner, Princeton
The Guardian - Tim Ashley
But it was beautifully sung. Adam’s warm, sweet tone speaks volumes: act three’s Possente Spirto, Orfeo’s great apostrophe to Charon, and his act five lament were flawlessly done, and achingly moving.
„Orfeo“, Monteverdi, The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner BBC Proms, Royal Albert Hall, London, 2015
bachtrack - Julie Jozwiak
Dès les premières notes confiées à Orphée, personnage principal qui a de très loin la partie soliste la plus importante, on comprend le potentiel expressif de Krystian Adam, tant scéniquement que vocalement, et son sens du drame vocal ; il utilise avec une aisance suprême sa voix puissante et lumineuse pour y faire passer les sentiments les plus contrastés, d’abord la joie inépuisable de l’amour, et plus tard le désespoir rageur face à la mort de sa fiancée.
„Orfeo“, Monteverdi, The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner, Château de Versailles, 2015
Independent - Michael Church
(...)she found a throbbing plangency which was set off by a virtuoso performance as narrator by the Polish tenor Krystian Adam.
„Il Combattimento di Tancredi e Clorinda“, Monteverdi, The English Baroque Solosists, The Monteverdi Choir, Sir John Eliot Gardiner, Wigmore Hall, London, 2015
The Telegraph - John Allison
The tenor Krystian Adam stood out among the soloists for the subtle colours of his singing, making the pleading of Nigra sum and the echo effects of Audi coelum especially memorable.
„Vespro dell Beata Vergine“, Monteverdi, The English Baroque Solosists, The Monteverdi Choir, Sir John Eliot Gardiner, King's College Chapel, Cambridge, 2014
Frankfurter Allgemeine Zeitung - DIRK SCHÜMER
Schafft es, der heikel mensurierten Tenorpartie des Decio mit stupender Technik und fließender Stimmführung Kontur zu verleihen: der polnische Tenor Krystian Adam
„Ottone in Villa“, Vivaldi Il Giardino Armonico, Giovanni Antonini, Innsbruck 2010
The Guardian - Tim Ashley
Krystian Adam, better known for Monteverdi than Mozart, makes a nicely effete Basilio.
„Le Nozze di Figaro“, Mozart, Ivor Bolton, Royal Opera House, London 2015
Forumopera.com - Christian Peter
Krystian Adam qui avait participé à la reprise de La pietra del paragone l’an dernier est un Agénor touchant et drôle en même temps dans sa soumission aux volontés d’Alexandre. La voix est bien projetée et la ligne de chant extrêmement soignée.
„Il Re Pastore“, Mozart Ensamble Matheus, Jean-Christophe Spinosi, Paris - Théâtre du Châtelet 2015
resmusica.com - Catherine Scholler
(...)le ténor précis et timbré de Krystian Adam,(...) très à l’aise dans les roulades rossiniennes.
„La Pietra del Paragone“, Rossini, Ensamble Matheus, Jean-Christophe Spinosi, Paris - Théâtre du Châtelet 2014
Italia Oggi - Giuseppe Pennisi
Il tenore Krystian Adam (Goffredo) mette in luce agilità virtuosistica.
„Rinaldo“ Haendel, Accademia Bizantina, Ottavio Dantone, Teatro Alighieri, Ravenna, 2012
bachtrack.com - Gale Martin
As Pedrillo, Polish tenor Krystian Adam’s comic timing was sheer perfection. His singing – clear and powerful
„Die Entfuhrung aus dem Serail“, Mozart Corrado Rovaris, Opera Philadephia 2012
