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Press


The New York Times - James R. Oestreich

...The real star of the production was the tenor Krystian Adam…

“Orfeo” C. Monteverdi, Carnegie Hall 05/2015, English Baroque Soloists, conductor Sir John Eliot Gardiner


The Telegraph - Rupert Christiansen

Krystian Adam sang the title role with delicacy and refinement, articulating the text with exquisite sensitivity and weaving seraphically beautiful undulations of grief in his plea to Charon, “Possente spirto”."

„Orfeo“, Monteverdi, The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner, BBC Proms, Royal Albert Hall, London, 2015


philly.com - David Patrick Stearns

When Krystian Adam sang Orfeo's searing laments, time seemed to stop „Orfeo“, Monteverdi

The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner, Princeton


The Guardian - Tim Ashley

But it was beautifully sung. Adam’s warm, sweet tone speaks volumes: act three’s Possente Spirto, Orfeo’s great apostrophe to Charon, and his act five lament were flawlessly done, and achingly moving.

„Orfeo“, Monteverdi, The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner BBC Proms, Royal Albert Hall, London, 2015


bachtrack - Julie Jozwiak

Dès les premières notes confiées à Orphée, personnage principal qui a de très loin la partie soliste la plus importante, on comprend le potentiel expressif de Krystian Adam, tant scéniquement que vocalement, et son sens du drame vocal ; il utilise avec une aisance suprême sa voix puissante et lumineuse pour y faire passer les sentiments les plus contrastés, d’abord la joie inépuisable de l’amour, et plus tard le désespoir rageur face à la mort de sa fiancée.

„Orfeo“, Monteverdi, The English Baroque Soloists, The Monteverdi Choir, Sir John Eliot Gardiner, Château de Versailles, 2015


Independent - Michael Church

(...)she found a throbbing plangency which was set off by a virtuoso performance as narrator by the Polish tenor Krystian Adam.

„Il Combattimento di Tancredi e Clorinda“, Monteverdi, The English Baroque Solosists, The Monteverdi Choir, Sir John Eliot Gardiner, Wigmore Hall, London, 2015


The Telegraph - John Allison

The tenor Krystian Adam stood out among the soloists for the subtle colours of his singing, making the pleading of Nigra sum and the echo effects of Audi coelum especially memorable.

„Vespro dell Beata Vergine“, Monteverdi, The English Baroque Solosists, The Monteverdi Choir, Sir John Eliot Gardiner, King's College Chapel, Cambridge, 2014


Frankfurter Allgemeine Zeitung - DIRK SCHÜMER

Schafft es, der heikel mensurierten Tenorpartie des Decio mit stupender Technik und fließender Stimmführung Kontur zu verleihen: der polnische Tenor Krystian Adam

„Ottone in Villa“, Vivaldi Il Giardino Armonico, Giovanni Antonini, Innsbruck 2010


The Guardian - Tim Ashley

Krystian Adam, better known for Monteverdi than Mozart, makes a nicely effete Basilio.

„Le Nozze di Figaro“, Mozart, Ivor Bolton, Royal Opera House, London 2015


Forumopera.com - Christian Peter

Krystian Adam qui avait participé à la reprise de La pietra del paragone l’an dernier est un Agénor touchant et drôle en même temps dans sa soumission aux volontés d’Alexandre. La voix est bien projetée et la ligne de chant extrêmement soignée.

„Il Re Pastore“, Mozart Ensamble Matheus, Jean-Christophe Spinosi, Paris - Théâtre du Châtelet 2015


resmusica.com - Catherine Scholler

(...)le ténor précis et timbré de Krystian Adam,(...) très à l’aise dans les roulades rossiniennes.

„La Pietra del Paragone“, Rossini, Ensamble Matheus, Jean-Christophe Spinosi, Paris - Théâtre du Châtelet 2014


Italia Oggi - Giuseppe Pennisi

Il tenore Krystian Adam (Goffredo) mette in luce agilità virtuosistica.

„Rinaldo“ Haendel, Accademia Bizantina, Ottavio Dantone, Teatro Alighieri, Ravenna, 2012


bachtrack.com - Gale Martin

As Pedrillo, Polish tenor Krystian Adam’s comic timing was sheer perfection. His singing – clear and powerful

„Die Entfuhrung aus dem Serail“, Mozart Corrado Rovaris, Opera Philadephia 2012

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